ScalingStacks

3.2. Mixed Tate motives

We will now recall the definition of the category of pure/mixed Tate motives, see [Lev05], which will play for us the role of a graded version of the derived category of sheaves on the point.

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Definition 3.2. The category of mixed Tate motives22 2 In the literature, there are many notations for the category of mixed Tate motives. For example, TDM\operatorname{TDM} in [HK06], MTDer\operatorname{MTDer} in [SW18, SVW18], DMT\operatorname{DMT} in [Spi16] or DTM\operatorname{DTM} in [Lev05]. is the subcategory

DTM⁡(k,ℚ)=⟨ℚ⟩≅,⨭,Δ,(±1)⊂DM⁡(k,ℚ)\operatorname{DTM}(k,\mathbb{Q})=\langle\mathbb{Q}\rangle_{\cong,\inplus,\Delta,(\pm 1)}\subset\operatorname{DM}(k,\mathbb{Q})

generated by ℚ\mathbb{Q} under isomorphism, direct summands, Tate twists and triangles. The category of pure Tate motives is the category generated by objects ℚ​(n)​[2​n]\mathbb{Q}(n)[2n]

DTM(k,ℚ)w=0=⟨ℚ(n)[2n]∣n∈ℤ⟩≅,⨭,⊕⊂DTM(k,ℚ)\operatorname{DTM}(k,\mathbb{Q})^{w=0}=\langle\mathbb{Q}(n)[2n]\mid n\in\mathbb{Z}\rangle_{\cong,\inplus,\oplus}\subset\operatorname{DTM}(k,\mathbb{Q})

with respect to isomorphism, direct summands and finite direct sums.

For example, the decompostion of a projective space into affine spaces

ℙn=𝔸0⊎𝔸1⊎⋯⊎𝔸n\mathbb{P}^{n}=\mathbb{A}^{0}\uplus\mathbb{A}^{1}\uplus\dots\uplus\mathbb{A}^{n}

induces a decomposition of its motive into a direct sum of Tate motives

M⁡(ℙn)=ℚ⊕ℚ⁡(1)​[2]⊕⋯⊕ℚ⁡(n)​[2​n]\operatorname{M}(\mathbb{P}^{n})=\mathbb{Q}\oplus\mathbb{Q}(1)[2]\oplus\dots\oplus\mathbb{Q}(n)[2n]

which shows that M⁡(ℙn)\operatorname{M}(\mathbb{P}^{n}) is pure Tate.

We will use the following generalization.

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Definition 3.3. A partition of a variety XX into subvarieties X1,…,XnX_{1},\dots,X_{n} (called strata) is an affine paving, if X≤k=⋃i=1,…,kXiX_{\leq k}=\bigcup_{i=1,\dots,k}X_{i} is closed in XX for all 1≤l≤n1\leq l\leq n and each stratum XiX_{i} is isomorphic to an affine space 𝔸n.\mathbb{A}^{n}.

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Proposition 3.4. Let XX be a variety that admits an affine paving. Then the motive with compact support Mc⁡(X)∈DTM⁡(k,ℚ)w=0\operatorname{M}^{c}(X)\in\operatorname{DTM}(k,\mathbb{Q})^{w=0} is pure Tate.

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Proof. This follows from the localisation sequence and Mc⁡(𝔸n)=ℚ⁡(n)​[2​n].\operatorname{M}^{c}(\mathbb{A}^{n})=\mathbb{Q}(n)[2n]. A proof can be found in [Ebe21, Lemma 2.3(10)]. ∎

As the notation suggests, the category of pure Tate motives is the heart of a weight structure:

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Proposition 3.5. The category DTM⁡(k,ℚ)w=0\operatorname{DTM}(k,\mathbb{Q})^{w=0} is the heart of a weight structure ww on DTM⁡(k,ℚ).\operatorname{DTM}(k,\mathbb{Q}).

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Proof. By (3.2) the collection of objects in the DTM⁡(k,ℚ)w=0\operatorname{DTM}(k,\mathbb{Q})^{w=0} is negative. Moreover DTM⁡(k,ℚ)\operatorname{DTM}(k,\mathbb{Q}) is idempotent closed and generated by DTM⁡(k,ℚ)w=0\operatorname{DTM}(k,\mathbb{Q})^{w=0}. Now the statement follows from Proposition 2.4. ∎

Using that k=𝔽¯pk=\overline{\mathbb{F}}_{p} we obtain a simple decription of the category of Tate motives:

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Proposition 3.6. The weight complex functor yields an equivalence of categories

t:DTM⁡(k,ℚ)→Kb⁡(DTM⁡(k,ℚ)w=0)≅Db⁡(ℚ​−modℤ)t:\operatorname{DTM}(k,\mathbb{Q})\to\operatorname{K}^{b}(\operatorname{DTM}(k,\mathbb{Q})^{w=0})\cong\operatorname{D}^{b}(\mathbb{Q}\operatorname{-mod}^{\mathbb{Z}})

where ℚ​(1)​[2]\mathbb{Q}(1)[2] corresponds to the one-dimensional vector space in degree one ℚ​⟨1⟩\mathbb{Q}\langle 1\rangle in the category ℚ​−modℤ\mathbb{Q}\operatorname{-mod}^{\mathbb{Z}} of graded finite-dimensional vector spaces over ℚ.\mathbb{Q}.

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Proof. Lemma 3.1 implies that DTM⁡(k,ℚ)w=0\operatorname{DTM}(k,\mathbb{Q})^{w=0} is tilting in DTM⁡(k,ℚ).\operatorname{DTM}(k,\mathbb{Q}). Further, DM\operatorname{DM} admits an enhancement as stable ∞\infty-category. The statement follows from Corollary 2.16. ∎

We note that the weight structure on mixed Tate motives considered here is just the shadow of the Chow weight structure on DMg​m⁡(k,ℚ),\operatorname{DM}^{gm}(k,\mathbb{Q}), see Example 2.2.

Original mathematics by the credited authors. Source collection and HTML conversion remain in progress.

Jens Niklas Eberhardt, Catharina Stroppel

Original source: arXiv:2109.00305v2